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I have always tried to evaluate each album I listen to with an open mind, but when bands release albums that show little or no progression or deviation from their previous releases, I have trouble staying objective. Don’t get me wrong, there isn’t anything wrong with Shadows are Security, aside from the obvious, but there’s nothing new here either. My opinion of As I Lay Dying hasn’t changed much since Frail Words Collapse and neither has their music. The musicianship on this release is just as superb and tight as their last album, but the band has little to advance their sound. The songs on Shadows are Security closely resemble Frail Words Collapse and could be considered a continuation of that album. The only noticeable change is that there aren’t quite as many breakdowns, but it’s easy to see that they have a song writing formula and they stick with it. The music is still heavy, fast-paced, and intense. The clean singing is still incorporated into some of the songs, but for the most part, vocalist Tim Lambesis bellows heavy, yet crisp screaming. The guitar work remains the strongest part of the band, and is matched by few. The same complaints I had from Frail Words Collapse remain on this album. I struggle with openly Christian bands, but I will still say that As I Lay Dying isn’t preachy. There are a couple songs that the lyrics bother me, but for the most part the lyrics don’t close the door on listeners and remain a little generic. I just wish this album had showed a little more progression, but it is still a decent metalcore album. |
Sunday, August 14, 2005
Review: As I Lay Dying - Shadows Are Security
Review: Throwdown - Vendetta
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For a band that started as a joke and used to sing about straight edge all the time, Throwdown certainly has grown up. It’s hard to say if it’s for the better though. For fans that loved the unrelenting breakdowns and direct approach that was seen on the early releases, Vendetta, much like its predecessor, Haymaker, will leave a sour taste in your mouth. For everyone else, this album shows Throwdown trying to progress musically and mature as songwriters. The trouble with Vendetta is that the structures cripple the quality of the songs. Sure, the worn out verse, chorus, verse, breakdown, chorus repetition is long gone, but it hasn’t exactly been replaced by anything groundbreaking. I give them credit for straying from repetition. There are fewer breakdowns, and if anything, I would call them bridges now, because they don’t have the same effect as they once did. Vocalist Dave Peters has really expanded his vocal range, but unfortunately for Throwdown, it sounds like a bad Pantera impression. He has a strong voice, but the uncanny resemblance to Phil Anselmo hurts my ability to appreciate it properly. Musically, it’s still Throwdown. Maybe the loss of a guitarist hurt the punishing feel that was once felt when listening to this band, but I would almost call this hard rock rather than hardcore. The musicianship is nearly identical to Haymaker, but it is apparent that there was more effort and time put into the songwriting process. If Haymaker lit your fire, then Vendetta will impress the hell out of you. For the rest of us, it is a solid album and not a bad listen, but it really makes me miss the intensity of You Don’t Have to Blood to be Family. “Future of Metal?” Not quite. |
